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https://www.selleckchem.com/products/anisomycin.html The oft-cited theatricality of Adam Smith's impartial spectator is contentious and rests on a generalized notion of theatre. This essay argues both that Smith, like his predecessors in sentimental moral philosophy, thought of spectatorship theatrically and that Smith's spectatorship framework is rooted in French neoclassical dramaturgy. Smith's formulation of sympathy in the Theory of Moral Sentiments bolsters this view, as does the correspondence between Smith's definition of impartiality and the neoclassical formal isolation of spectators from the interests of protagonists. These facets of spectatorship are the basis of an impersonal mode that prevails in Smith's social theory of morals.There is no consensus on the precise role of ecclesiastical independents in shaping the revolutionary politics of the New Model Army. This essay explores how they crucially stretched the notion of non-dominating freedom across the social order and applied it more generally to the army's social and political contexts. It then turns to how this understanding of freedom informed the army's view of social justice, shaping the soldiers' particular grievances and material demands. Finally, it considers how the concept of independence also enabled religious apologists for the army to advance new claims to self-authenticating institutional legitimacy.For his conception of the ius gentium, Aquinas took as his starting point the canon law doctrines of Gratian, who himself had adopted ideas from Isidore of Seville. Aquinas's conception of the ius gentium was different of Gratian's and relied to a large extent on the civilian interpretation of Roman law texts. This article analyzes how the decretists, the first interpreters of Gratian, arrived at a conception of the ius gentium that was different from that of Gratian himself, and thus paved the way for Aquinas to read the Roman law conception into the ius gentium.Medicaid managed care plans

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